Dennis Lyxzén - what is he talking about?

Here's the next installment of my thoughts on what I read in Sober Living for the Revolution: Hardcore Punk, Straight Edge and Radical Politics. I read Dennis' interview with great enthusiasm. Some of it was pretty rad, but overall, I was not that into it. He's really image-oriented, which I am just so not about. He talks about how the Noise Conspiracy change their sound and their aesthetic every time they put out a record, saying crap like this:

I mean, we've been playing for ten years now with Noise Conspiracy, and you can look at our outfits throughout the years, and they've changed a lot, and so did the whole aesthetics. With every new record, we try something new - not only with the aesthetics, but with the politics and the music too. We maintain our ideas and our musical foundation, but we kind of switch and twist them a little bit every time and try to spice them up with something new.

You know, a lot of people try to decide what exactly it is that people should like about their band. We just figure that people can dig the politics, they can dig the snazzy outfits, they can dig the music, they can dig whatever - it's up to them to decide what to take with them when they leave our show or listen to our record. So while many bands are like, "This is what we are and this is what you should like about us," we just say, "Whatever you like is cool with us. If you don't like the politics, we're sure you find something else that you like."

I am just so turned off by that. It's like a fucking stage show. Politics is fun everybody. Whoo whoo, revolution rules! Slogans and marketing, fashion and image. Fuck all of that. Empty shit. Judging by people's responses to the last nine Noise Conspiracy full-lengths, I would say that lots of people realized that they are full of shit. Then he goes on to say something that made me like the dudes in Refused a whole lot:

I was always into this concept [changing images and ideologies], so with Noise Conspiracy I got a chance to realize it. Actually, when we did the last batch of touring with Refused, I tried to get the band to wear matching outfits, but the guitar players just happened to "lose" them. After a week of shows they were just like, "Eh, these jackets that we had tailor-made are gone..."

Good, fuck those jackets. What a bunch of boy band crap. Fuck.

Speaking of changing images, up top is a very recent picture of Dennis. He's punk as fuck these days, looking like it's 82. I guess it's appropriate, now that he's got his matching band.

So anyway, this is what Dennis has to say about his ideological and philosophical inspirations:

Personally, I like to mix different sources and hope that something cool will come out of it. Anarchism and socialism I've always been into. Situationism - which is as much an art movement as it is a political movement with an amazing critique of capitalist society, right at the breaking point of modernism and postmodernism - is just really well suited for lyrics, especially if you look at Raoul Vaneigem. And poststructuralism helps you understand how the world works today. Then you throw in some surrealism and some dada, and everything becomes even more interesting.

Interesting indeed. What a fun political collage life is. Anarchism and socialism? Situationism is not just well suited for lyrics, but also verbose, dense and largely irrelevant to those who aren't highly educated or pseudo-intellectual.

I guess he really does want revolution with a catchy phrase. What's after that? A bunch of well-dressed revolutionaries speaking to one another about a bunch of esoteric ideas? Way to be practical. So intensely privileged.

It's not like there's really any hope in anarchism (or socialism, or anything else he references), but come on, this guy is just making a mockery of it all and yet somehow has stood as an icon for radical music for years. People who are so into crafting their public self image really bum me the fuck out.